Texts:
Baker, George. "Photography's Expanded Field." Still Moving. Eds. Karen Beckman and Jean Ma. Durham: Duke University Press, 2008. 175-188. Print.
Davenport, Nancy. "Weekend Campus." Still Moving. Eds. Karen Beckman and Jean Ma. Durham: Duke University Press, 2008. 189-195. Print.
Jager, Gottfried. "Analogue and Digital Photography." Photography after Photography: Memory and Representation in the Digital Age. Eds. Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer. Sydney: G+B Arts, 1996. Print.
Lunenfeld, Peter. "Art Post-History: Digital Photography & Electronic Semiotics." Photography after Photography: Memory and Representation in the Digital Age. Eds. Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer. Sydney: G+B Arts, 1996. Print.
Szarkowski, John. "Introduction to the Photographer's Eye." The Photographer's Eye. 1966.
Talbot, William Henry Fox. "Some Account of the Art of Photogenic Drawing." 1839.
Images: (from artist websites)Davenport, Nancy. "Weekend Campus." Still Moving. Eds. Karen Beckman and Jean Ma. Durham: Duke University Press, 2008. 189-195. Print.
Jager, Gottfried. "Analogue and Digital Photography." Photography after Photography: Memory and Representation in the Digital Age. Eds. Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer. Sydney: G+B Arts, 1996. Print.
Lunenfeld, Peter. "Art Post-History: Digital Photography & Electronic Semiotics." Photography after Photography: Memory and Representation in the Digital Age. Eds. Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer. Sydney: G+B Arts, 1996. Print.
Szarkowski, John. "Introduction to the Photographer's Eye." The Photographer's Eye. 1966.
Talbot, William Henry Fox. "Some Account of the Art of Photogenic Drawing." 1839.
Muybridge, Eadweard. Gallop; saddle; bay horse, Daisy (ca. 1884-1887) 47.9 x 60.6 cm, collotype print. Artstor.
Artist Sites:
Xavier Chassaing
Nancy Davenport
Rineke Dijkstra
Kate Gilmore
Robert Knight
Guido Van der Werve
Bill Viola
Michael Wesely
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